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　　本书是加拿大著名作家玛格丽特·阿特伍德创作的短篇小说集。一个男人，发现周围的女人变得越来越苍白，越来越沉默，越来越矮小；对核战争的恐惧怪异地掌控了一个女人的私密生活；一段忧郁的青少年之恋被一场飓风洗劫一空，而一段疲倦的中年感情却被牙买加鸟儿的稀世景象重新点燃……这些优秀的短篇小说，既有趣，又有灼人的诚恳，玛格丽特·阿特伍德敏锐地捕捉到支配着人际关系的复杂力量，以及指导这些关系的强大情感。

母亲生命中的重要时刻 001

黑兹尔飓风 025

露露；或，语言的家庭生活 057

丑脸 083

艾玛的两则轶事 119

蓝胡子的蛋 141

蛙之春曲 183

美洲红鹮 203

盐晶花园 229

寻找斑叶兰 261

日出 277

出土套房 303

　　玛格丽特·阿特伍德（Margaret Atwood，1939— ），出生于加拿大渥太华，1962 年获哈佛大学文科硕士学位，曾任加拿大作家协会主席。加拿大著名的小说家和诗人，其作品包括小说、诗歌与批评散文，迄今已在全球35 个国家出版。小说《女仆的故事》《猫眼》与《别名格雷斯》曾获得加拿大的吉勒尔奖与意大利的雷米欧·蒙德罗奖；《盲刺客》曾获2000 年英国布克小说奖。

译者简介：

　　柴妞，原名叶子，女，1984 年生，南京人。现任教于南京大学文学院比较文学与世界文学教研室。

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那枚蛋是活的，有一天它会孵化。可到底会出来什么？

In recent years, he's come to realize that the kind of women that ought to turn him on-----left-leaning intellectual women who can hold up their end of a debate, who believe in fifty-fifty, who can be good pals-----aren't the kind that actually do. He's not ashamed of this discovery, as he would have been once. He prefers women who are soft-spoken and who don't live all the time in their heads, who don't take everything with deadly seriousness. What he needs is someone who won't argue about whether he's too macho, whether he should or shouldn't encourage the capitalists by using underarm deodorant, whether the personal is political or the political is personal, whether he's anti-Semitic, anti-female, anti-anything.

Someone who won't argue.

The problem is that she's invested so much suffering in him, and she can't shake the notion that so much suffering has to be worth something. Maybe unhappiness is a drug, like any other: you could develop a tolerance to it, and then you'd want more.

People change though, especially after they are dead. As I passed beyond the age of melodrama I came to see that if I did not want to be Betty, I would have to be someone else. Furthermore, I was already quite different from Betty. In a way, she had absolved me from making the demanded choice by having made them so thoroughly herself. People stopped calling me a nice girl and started calling me a clever one, and after a while I enjoyed this. Betty herself, baking oatmeal cookies in the ephemeral sunlight of fifteen years before, slid back into three dimensions. She was an ordinary woman who had died to young of an incurable disease. Was that it, was that all?

From time to time, I would like to have Betty back, if only for an hours's conversation. I would like her to forgive me for my reje...

165

在她内心世界里的，是爱德，像俄罗斯的木娃娃里又套了一木娃娃，爱德的内心世界里是他自己，她无法接近。

媒体评论

　　一位有伟大天赋的小说家、诗人。 ——《卫报》

　　老练、含蓄、考究、严厉、灵活、坚定、原始或宽大……它们都是生命全盛时期的故事。 ——《泰晤士报》

　　对两性之间的战争做出了杰出的回应，以从未有过的智慧，描绘了或为诗人烤面包、或与自己的会计师上床、或将对坏男人的偏好归结于无畏、或不知道自己让母亲多么担惊受怕的女人们的希望与缺失。——《观察家报》

　　玛格丽特·阿特伍德是有才华和难以预测的在世小说家之一。

　　——《文学评论》

书籍介绍

本书是加拿大著名作家玛格丽特•阿特伍德创作的短篇小说集。一个男人，发现周围的女人变得越来越苍白，越来越沉默，越来越矮小；对核战争的恐惧怪异地掌控了一个女人的私密生活；一段忧郁的青少年之恋被一场飓风洗劫一空，而一段疲倦的中年感情却被牙买加鸟儿的稀世景象重新点燃……这些优秀的短篇小说，既有趣，又有灼人的诚恳，玛格丽特•阿特伍德敏锐地捕捉到支配着人际关系的复杂力量，以及指导这些关系的强大情感。

一位有伟大天赋的小说家、诗人。 ——《卫报》

老练、含蓄、考究、严厉、灵活、坚定、原始或宽大……它们都是生命全盛时期的故事。 ——《泰晤士报》

对两性之间的战争做出了杰出的回应，以从未有过的智慧，描绘了或为诗人烤面包、或与自己的会计师上床、或将对坏男人的偏好归结于无畏、或不知道自己让母亲多么担惊受怕的女人们的希望与缺失。——《观察家报》

玛格丽特•阿特伍德是最有才华和最难以预测的在世小说家之一。

——《文学评论》