正版新书 清华正版 Maya 2022三维动画设计与制作 微课视频版 韩永毅 刘晓宇 潘登 清华大学出版社 三维动画软件 高等学校 pdf pdb 阿里云 极速 mobi caj kindle 下载

"三维动画设计与制作是动画专业学生的必修课，是学习动画制作技术的核心课程。

《Maya 2022三维动画设计与制作（微课视频版）》以Maya 2022软件作为制作工具，将动画运动规律与软件操作相结合，侧重于知识的实用性，重点突出Maya角色动画制作的讲解。《Maya 2022三维动画设计与制作（微课视频版）》以案例为主，结合大量的商业实战经验，采用理论结合实战的方式，循序渐进地讲解了Maya软件的动画制作技术。

《Maya 2022三维动画设计与制作（微课视频版）》共分6章，内容包括三维动画概述、三维动画制作软件界面介绍、运动规律在三维动画中的实现方法、角色动画在三维动画中的实现方法、卡通风格在三维动画中的实现方法、三维动画的创作与制作流程。

《Maya 2022三维动画设计与制作（微课视频版）》可作为全国各大院校影视动画、游戏等相关专业的教材，也可作为广大影视动画、游戏制作爱好者或相关从业人员的自学手册和参考资料。"

目录

第1章　三维动画概述1

1.1　三维动画······································ 2

1.1.1　三维动画技术的特点·················· 2

1.1.2　三维动画技术的应用领域············· 3

1.2　三维动画发展史····························· 5

1.2.1　起步阶段······························· 5

1.2.2　发展阶段······························· 6

1.2.3　繁荣阶段······························· 8

1.3　三维动画的制作流程······················ 12

第２章　三维动画制作软件界面介绍17

2.1　基础界面···································· 18

2.1.1　标题栏和菜单栏····················· 18

2.1.2　状态行································21

2.1.3　工具架································23

2.1.4　工具盒································24

2.1.5　工作区和视图面板···················24

2.1.6　通道盒和层编辑器···················25

2.2　动画界面···································· 25

2.2.1　动画控制 ·····························25

2.2.2　声音···································27

2.2.3　动画播放预览·························28

2.3　曲线图编辑器······························ 28

第3章　运动规律在三维动画中的实现方法33

3.1　缓冲、弹性运动··························· 34

3.1.1　小球的运动·························· 34

动画案例1：弹性小球························35

动画案例2：铅球·····························42

动画案例3：气球···························· 44

3.1.2　跳跃动作····························· 46

动画案例4：跳跃动作······················· 47

3.1.3　摔倒动作······························53

动画案例5：摔落动作························53

3.2　曲线运动···································· 56

3.2.1　尾巴摆动动作·························57

动画案例6：尾巴摆动······················· 58

3.2.2　鸟类角色飞行动作·················· 60

动画案例7：鹦鹉飞行动作·················· 61

3.2.3　捶打动作····························· 69

动画案例8：捶打动作······················· 70

3.3　随带运动···································· 75

3.3.1　叹气动作····························· 76

动画案例9：叹气动作······················· 76

3.3.2　转身动作····························· 79

动画案例10：转身动作······················ 79

第4章　角色动画在三维动画中的实现方法85

4.1　人的运动规律(标准)······················ 86

4.1.1　人的走路运动························ 86

动画案例11：原地走路······················ 87

4.1.2　人的跑步运动························ 95

动画案例12：原地跑步······················ 95

4.2　四足动物的运动规律(标准)············ 100

4.2.1　四足动物的走路运动··············· 100

动画案例13：四足动物行走··············· 100

4.2.2　四足动物的跑步运动··············· 117

动画案例14：四足动物奔跑··············· 117

4.3　表情动画·································· 119

4.3.1　笑··································· 119

4.3.2　悲伤································· 120

4.3.3　愤怒································· 120

4.3.4　恐惧································· 121

4.3.5　厌恶································· 121

4.3.6　惊讶································· 121

动画案例15：表情动画····················· 122

第 5 章　卡通风格在三维动画中的实现方法131

5.1　卡通动画的风格························· 132

5.1.1　挤压和拉伸························· 132

5.1.2　预备动作···························· 132

5.1.3　节奏感······························ 132

5.1.4　渐入和渐出························· 133

5.1.5　动作的惯性························· 133

5.1.6　弧线运动···························· 134

5.1.7　夸张动作···························· 135

5.1.8　次要动作···························· 135

5.1.9　动作表现力························· 136

5.1.10　重量感····························· 136

5.1.11　不对称姿势和表演················ 137

5.2　卡通风格在三维数字动画中的实现···· 137

5.2.1　实现工具···························· 137

5.2.2　创建角色模型······················· 138

5.2.3　创建骨骼的基础知识··············· 139

5.2.4　创建骨骼的方法···················· 139

5.2.5　添加骨骼···························· 140

5.2.6　骨骼操作的基本命令··············· 141

5.2.7　反向运动学························· 143

5.2.8　使用骨骼···························· 145

5.2.9　约束································· 146

5.3　角色面部绑定流程······················· 151

5.4　角色身体绑定流程······················· 170

第6章　三维动画的创作与制作流程179

6.1　数字镜头预览···························· 180

6.1.1　2D Layout························· 180

6.1.2　3D Layout························· 180

6.1.3　摄影机的设置······················· 182

6.2　动画制作·································· 186

6.2.1　一级动画···························· 186

6.2.2　二级动画···························· 187

6.2.3　表情动画···························· 188

6.3　综合制作·································· 189

6.3.1　分级动画···························· 189

动画案例16：猫和垃圾桶·················· 190

6.3.2　临摹动画···························· 206

动画案例17：临摹影片片段··············· 207

6.3.3　单人表演···························· 215

动画案例18：单人表演····················· 215

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书籍介绍

"三维动画设计与制作是动画专业学生的必修课，是学习动画制作技术的核心课程。

《Maya 2022三维动画设计与制作（微课视频版）》以Maya 2022软件作为制作工具，将动画运动规律与软件操作相结合，侧重于知识的实用性，重点突出Maya角色动画制作的讲解。《Maya 2022三维动画设计与制作（微课视频版）》以案例为主，结合大量的商业实战经验，采用理论结合实战的方式，循序渐进地讲解了Maya软件的动画制作技术。

《Maya 2022三维动画设计与制作（微课视频版）》共分6章，内容包括三维动画概述、三维动画制作软件界面介绍、运动规律在三维动画中的实现方法、角色动画在三维动画中的实现方法、卡通风格在三维动画中的实现方法、三维动画的创作与制作流程。

《Maya 2022三维动画设计与制作（微课视频版）》可作为全国各大院校影视动画、游戏等相关专业的教材，也可作为广大影视动画、游戏制作爱好者或相关从业人员的自学手册和参考资料。"