著名咏叹调和女高音唱段 Great Concert Arias for Soprano in Full Score pdf pdb 阿里云 极速 mobi caj kindle 下载

Mozart's concert arias were written for a variety of purposes: some were intended for recital purposes and others as substitutions for arias in his own or other operas. This compilation includes 12 of Mozart's best works for sopranos, including "Ah, lo previdi," K.272; "Voi avete un cor fedele," K.217; and "Chi sà, chi sà, qual sia," K.582.

"Voi avete un cor fedele," K. 217 (1775)

"Ah, lo 15revidi. K Ah, t'invola agl'occhi miei," K. 272 (1777)

"Misera,dove son!... Ah! non son io," K. 369 (1781)

"A questo seno deh vieni... Or che il cielo," K. 374 (1781)

"Mia speranza adorata... Ah, non sai qual pena," K. 416 (1783)

"Vorrei spiegarvi, oh Dio," K. 418 (1783)

"No, no, che non sei capace," K. 419 (1783)

"Ch'io mi scordi di re? ... Non temer, amato bene," K. 505 (1786)

"Bella mia fiamma... Resta, o cara," K. 528 (1787)

"Alma grandee nobil core," K. 578 (1789)

"Chi sa, chi sa, qual sia," K. 582 (1789)

"Vado, ma dove? o Dei!," K. 583 (1789)

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Mozart's concert arias were written for a variety of purposes: some were intended for recital purposes and others as substitutions for arias in his own or other operas. This compilation includes 12of Mozart's best works for sopranos, including "Ah, lo previdi," K.272; "Voi avete un cor fedele," K.217; and "Chi sà, chi sà, qual sia," K.582.