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　　A singular figure in the avant garde of the

early twentieth century, Henri Rousseau (1844-1910) was a

self-taught painter who turned to art after retiring as a customs

inspector at the age of 49. Although he never left Paris, Rousseau

painted a number of jungle scenes, drawing on images of the exotic

as presented to the urban dweller through popular literature,

colonial expositions and the Paris zoo. "The Dream" (1910) is the

artist's last major work. Exhibited at the 1910 Salon des

Independants a few months before Rousseau's death in September of

that year, it exemplifies that surreal juxtaposition of the exotic

and the domestic, realized with an uncanny exactitude, for which

Rousseau is so beloved today. The poet and art critic Guillaume

Apollinaire praised the work, countering his detractors: "The

picture radiates beauty, that is indisputable. I believe nobody

will laugh this year." In this volume, Ann Temkin, the Museum's

Marie-Josée and Henry Kravis Chief Curator of Painting and

Sculpture, guides readers in deciphering this mysterious painting,

illuminating its significance and placing it within the development

of modern art and in Rousseau's own life.

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