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内容简介:
W. Dean Sutcliffe investigates one of the greatest yet least
understood repertories of Western keyboard music: the 555 keyboard
sonatas of Domenico Scarlatti. Scarlatti occupies a position of
solitary splendour in musical history. The sources of his style are
often obscure and his immediate influence is difficult to discern.
Further, the lack of hard documentary evidence has hindered
musicological activity. Dr Sutcliffe offers not just a thorough
reconsideration of the historical factors that have contributed to
Scarlatti's position, but also sustained engagement with the music,
offering both individual readings and broader commentary of an
unprecedented kind. A principal task of this book is to remove the
composer from his critical ghetto (however honourable) and redefine
his image. In so doing it will reflect on the historiographical
difficulties involved in understanding eighteenth-century musical
style.
书籍目录:
Preface
1. Domenico Scarlatti the interesting historical figure
2. Panorama
3. Heteroglossia
4. Syntax
5. Irritations
6. 'Una Genuina Música de Tecla'
7. Formal Dynamic
Finale
作者介绍:
W. Dean Sutcliffe is University Lecturer at the University of
Cambridge and a Fellow of St Catharine's College. He is author of
Haydn: String Quartets, Op. 50 (1992) in the Cambridge Music
Handbook series and editor of Haydn Studies (Cambridge 1998). He is
also co-editor of the Cambridge journal Eighteenth-Century Music,
the first issue of which will be published in 2004.
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编辑推荐
This investigation of one of the greatest yet least
understood repertories of Western keyboard music reveals the
reasons why the 555 keyboard sonatas of Domenico Scarlatti have not
been written about more often. The lack of documentary evidence and
the composer's position between the so-called Baroque and the
Classical periods are crucial factors. W. Dean Sutcliffe also
examines each individual sonata in unprecedented detail.
媒体评论
"...a substantial contribution to the field." NOTES
"This reviewer does not doubt that Sutcliffe has added
significantly to the scholarship about Scarlatti and that this book
will be useful to the Scarlatti scholar...." Choice
"Anyone reading the book attentively will come away with a
heightened awareness of the brilliance and originality with which
Scarlatti not only flouted convention but also made seeming
caprices part of a coherent musical language." Early Keyboard
Journal, David Schulenberg
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