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As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.

All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line."

Foreword by George Packer

Introduction by Keith Gessen

Charles Dickens

Boys' Weeklies

Inside the Whale

Drama Reviews: The Tempest, The Peaceful lnn

Film Review: The Great Dictator

Wells, Hitler and the World State

The Art of Donald McGill

No, Not One

Rudyard Kipling

T. S. Eliot

Can Socialists Be Happy?

Benefit of Clergy: Some Notes on Salvador Daft

Propaganda and Demotic Speech

Raffles and Miss Blandish

Good Bad Books

The Prevention of Literature

……

GEORGE ORWELL (1903–1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

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Progress is not an illusion, it happens, but it is slow and invariably disappointing. There is always a new tyrant waiting to take over from the old—generally not quite so bad, but still a tyrant. Consequently two viewpoints are always tenable.The one, how can you improve human nature until you have changed the system? The other, what is the use of changing the system before you have improved human nature? They appeal to different individuals, and they probably show a tendency to alternate in point of time. The moralist and the revolutionary are constantly undermining one another. Marx exploded a hundred tons of dynamite beneath the moralist position, and we are still living in the echo of that tremendous crash.

But already, somewhere or other, the sappers are at work and fresh dynamite is...

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　　As a critic, George Orwell cast a wide net. Equally at home

discussing Charles Dickens and Charlie Chaplin, he moved back and

forth across the porous borders between essay and journalism, high

art and low. A frequent commentator on literature, language, film,

and drama throughout his career, Orwell turned increasingly to the

critical essay in the 1940s, when his most important experiences

were behind him and some of his most incisive writing lay ahead.

"All Art Is Propaganda "follows Orwell as he demonstrates in piece

after piece how intent analysis of a work or body of work gives

rise to trenchant aesthetic and philosophical commentary. With

masterpieces such as "Politics and the English Language" and

"Rudyard Kipling" and gems such as "Good Bad Books," here is an

unrivaled education in, as George Packer puts it, "how to be

interesting, line after line."

书籍介绍

As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead.

All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line."