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Vasari famously wrote that Giotto "recovered the true method of

painting, which been lost for many years before him," and indeed he

is traditionally considered a founder of the Italian Renaissance.

Producing a series of commissioned works for the church and upper

classes in his native Tuscany and surrounding regions, Giotto

changed the course of European art by breaking away from the rigid,

stereotyped figures of the Byzantine and Giotto medieval

traditions. His innovation was to give his characters natural

movement and expression. His great fresco cycles, such as the lives

of the Virgin and Christ in the Scrovegni (or Arena) Chapel, Padua,

are populated with realistic depictions of three-dimensional

figures; secondary characters, both comic and tragic, display the

range of the painter's wit and invention. And Giotto's treatment of

perspective was just as revolutionary as his approach to the human

form. The dramatic power of his scenes is heightened by the

convincing illusionistic spaces in which he places them. In this

authoritative survey of Giotto's life and work, Professor Francesca

Flores d'Arcais draws on an impressive range of sources, from

fourteenth-century documents to the most recent art - historical

investigations. Her research leads her to important re-attributions

of Giottesque paintings and to new conclusions regarding the

execution and dating of both famous and lesser-known works. This

second edition also includes a discussion of the earthquake of

September 29, 1997 that damaged the frescoes of the Upper Basilica

of San Francesco in Assisi - some of which are attributed to the

artist in the early phase of his career - and the restoration

effort that followed. More than three hundred illustrations, most

in full color and some on double gatefold pages, reproduce all of

Giotto's important frescoes in exquisite detail, as well as his

moving crucifixes and jewel-like polyptychs. These illustrations

are based on new photography of Giotto's paintings, many of which

have recently been restored to their original brilliance, making

this the definitive monograph on the greatest of trecento

masters.

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Francesca Flores d'Arcais is a professor of

medieval and modern art history at the School of Letters and

Philosophy of the University of Verona, Italy. She is the author of

a number of works and is a recognised expert on the work of Giotto.

Elio Ciol (born 1929) has established his place over a long career

one of Italy's pre-eminent art photographers. His work has won

major international awards including the Kraszna Krausz, World

Press Photo and Foto Padova prizes, and is held by institutions

including the Metropolitan Museum of Art (New York, Victoria &

Albert Museum (London) and the Musee de la Photographie

(Charleroi).

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