Imperialism, art and restitution帝国主义、艺术品与归还 pdf pdb 阿里云 极速 mobi caj kindle 下载

The issue of returning art and cultural property removed from explored or conquered lands by Americans and Europeans is an unresolved problem. This book is about the return, or not, of works of art and antiquity taken during the Age of Imperialism and now held in museums and private collections. Arguments put forth by the states seeking return or restitution for lost art treasures and meaningful cultural icons are pitted against conservator interests who maintain that these art treasures and cultural artifacts belong to all humanity and should be preserved in museums. In this volume, scholars and authorities on art, cultural property law and museum collections offer contrasting views on topics such as the Elgin Marbles, the return of the Nefertiti Bust and the problems and progress of the Native American Graves Protection and Repatriation Act (NAGPRA).

The issue of returning art and cultural property removed from explored or conquered lands by Americans and Europeans is an unresolved problem. This book is about the return, or not, of works of art taken during the Age of Imperialism and now held in museums and private collections.

Contributors

Foreword by John O. Haley

INTRODUCTION

1 VIEW FROM THE UNIVERSAL MUSEUM

Appendix: Declaration on the Importance and Value of Universal Museums

2 FROM GLOBAL PILLAGE TO PILLARS OF COLLABORATION

3 MUSEUMS AS CENTERS OF CULTURAL UNDERSTANDING

4 IMPERIAL APPROPRIATIONS OF THE PARTHENON

5 WHITHER THE ELGIN MARBLES?

6 THE BEAUTIFUL ONE HAS COME-TO RETURN: THE RETURN OF THE BUST OF NEFERTITI FROM BERLIN TO CAIRO

7 THE BEAUTIFUL ONE HAS COME-TO STAY

Appendix Ⅰ: The Bust of Nefertiti: An Annotated Bibliography Tracy Musacchio

Appendix Ⅱ: A New Translation of Selected Egyptian Antiquities Laws (1881-1912)

8 NAGPRA FROM THE MIDDLE DISTANCE: LEGAL PUZZLES AND UNINTENDED CONSEQUENCES

9 FINDERS KEEPERS AND DEEP AMERICAN HISTORY: SOME LESSONS IN DISPUTE RESOLUTION

Index

John Henry Merryman is the Sweitzer Professor of Law, Emeritus and Affiliated Professor in the Department of Art, Emeritus at Stanford Law School.

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