Monumental Minimal 极大极小值 精装 英文版 进口英语原版书籍 英文原版 pdf pdb 阿里云 极速 mobi caj kindle 下载

Carl Andre | Dan Flavin | Donald Judd | Sol Lewitt | Robert Mangold | Robert Morris

Galerie Thaddaeus Ropac presents in its Pantin space a group exhibition dedicated to American Minimal art. Featuring over 20 major sculptures and paintings by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold and Robert Morris, Monumental Minimal addresses the many questions raised by the main protagonists of this artistic revolution. Started in New York in the 1960s as a reaction to Abstract Expressionism, Minimal art is characterised by a formal radicalism that breaks the traditional codes of sculpture. Seriality and the emphasis put on the concept, as well as the use of industrial materials, constitute the common base from which different individual practices stemmed. The works presented have been selected to interact with the architecture of the space. Whether placed on the wall, in a corner, or directly on the floor, the sculptures dialogue with one another and with the structural elements of the gallery in Pantin. The volumes of the former industrial building, together with its zenithal...

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Carl Andre | Dan Flavin | Donald Judd | Sol Lewitt | Robert Mangold | Robert Morris

Galerie Thaddaeus Ropac presents in its Pantin space a group exhibition dedicated to American Minimal art. Featuring over 20 major sculptures and paintings by Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold and Robert Morris, Monumental Minimal addresses the many questions raised by the main protagonists of this artistic revolution. Started in New York in the 1960s as a reaction to Abstract Expressionism, Minimal art is characterised by a formal radicalism that breaks the traditional codes of sculpture. Seriality and the emphasis put on the concept, as well as the use of industrial materials, constitute the common base from which different individual practices stemmed. The works presented have been selected to interact with the architecture of the space. Whether placed on the wall, in a corner, or directly on the floor, the sculptures dialogue with one another and with the structural elements of the gallery in Pantin. The volumes of the former industrial building, together with its zenithal...