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No musical genre has had a more chequered critical history than the concerto but simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics.

Notes on contributors

Acknowledgements

The concerto: a chronology

List of abbreviations

Introduction

Simon P. Keefe

Part I:   Contexts

Theories of the concerto from the eighteenth century

to the present day

Simon P. Keefe

The concerto and society

Tia DeNora

Part Ih   The works

The Italian concerto in the late seventeenth and early

eighteenth centuries

Michael Talbot

The concerto in northern Europe to c. 1770

David Yearsley

The concerto from Mozart to Beethoven: aesthetic

and stylistic perspectives

Simon P. Keefe

The nineteenth-century piano concerto

Stephan D. Lindeman

Nineteenth-century concertos for strings and winds

R. Larry Todd

Contrasts and common concerns in the concerto 1900-1945

David E. Schneider

The concerto since 1945

Arnold Whittall

……

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书籍介绍

No musical genre has had a more chequered critical history than the concerto but simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics.