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'Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms.' - The Guardian

Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms. - The Guardian

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"... must have come on like punk rock to a public groaning under the weight of over-cooked 　　Augustanisms." The Guardian

"The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure."

--William Wordsworth, from the Advertisement prefacing the original 1798 edition

When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.

PREFACE TO THE ROUTLEDGE CLASSICS EDITION

FOREWORD

FOREWORD TO THE 1991 EDITION

A SELECTED BIBLIOGRAPHY AND LIST OF ABBREVIATIONS

INTRDOUCTION

Lyrical ballads, 1798

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Poems

Lyrical ballads, 1800

Love

Poems, volume II 1

APPENDIXA Text of Lewti; or, the Circassian love-chant

APPENDIXB Wordworth's appendix on poetic diction from the 1802 edition of lyrical ballads

APPENDIXC Some contemporary criticism of Lyrical ballads

INDEX OF TITLES

INDEX OF FIRST LINES

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Must have come on like punk rock to a public groaning under the weight of over-cooked Augustanisms. - The Guardian

"The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purposes of poetic pleasure."

--William Wordsworth, from the Advertisement

prefacing the original 1798 edition

When it was first published, Lyrical Ballads enraged the critics of the day: Wordsworth and Coleridge had given poetry a voice, one decidedly different to what had been voiced before. For Wordsworth, as he so clearly stated in his celebrated preface to the 1800 edition (also reproduced here), the important thing was the emotion aroused by the poem, and not the poem itself. This acclaimed Routledge Classics edition offers the reader the opportunity to study the poems in their original contexts as they appeared to Coleridge's and Wordsworth's contemporaries, and includes some of their most famous poems, including Coleridge's Rime of the Ancyent Marinere.