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“These masterful photos blend the spontaneity of a great snapshot with the highly organized composition of a classical painting.”— Publishers Weekly Henri Cartier-Bresson (1908–2004) was perhaps the finest and most influential image maker of the twentieth century, and his portraits are among his best-known work. Over a fifty-year period, he photographed some of the most eminent personalities of the era, as well as ordinary people, chosen as subjects because of their striking and unusual features.

Originally published to coincide with an exhibition at the Fondation Henri Cartier-Bresson in Paris, this book features both well-known images and previously unpublished portraits: Ezra Pound, André Breton, Martin Luther King, Samuel Beckett, Truman Capote, Susan Sontag, Carl Jung, William Faulkner, Marilyn Monroe, Henri Matisse, and many more.

Each photograph was chosen because it perfectly embodies Cartier-Bresson’s description of what he was attempting to communicate in his work: “Above all I look for an inner silence. I seek to translate the personality and not an expression.” The portraits reproduced here—discreet, without artifice—confirm once more the singular gift of Cartier-Bresson, who instinctively knew in which revealing fraction of a second to click the shutter. 97 tritone photographs

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在线阅读地址：An Inner Silence在线阅读

在线听书地址：An Inner Silence在线收听

在线购买地址：An Inner Silence在线购买

无论是什么在面前注视着我们，它关注着我们，看透我们的内心，与我们产生了某些关联——它就是我们的情感。我们陷入了一种将各种含义融为一体的拍摄方式——礼帽、裁纸刀。甚至马丁·路德·金下巴上的胡须和梦露身边那只狗的项圈都不例外。

般般种种皆有意义，皆触动着我们的感官——这种触动潜移默化地作用于我们的眼睛。画面中的人物因为布列松而有了腔调，焕发出光彩，展示出独特的魅力。他们的肖像带着一种风格，一种气质、一种体态、一种精神和一种情绪、一种魅力、一种选择、一束目光和一份眷顾——一份亨利·卡蒂埃-布列松赠予他们的眷顾。

他们接受了这份眷顾，使这份眷顾成为唯一的可能——这些男士和女士往往被认为是模特儿，或是卡蒂埃-布列松的拍摄主体（这二者不需要得到卡蒂埃-布列松的眷顾便可以存在。）他们吸引着卡蒂埃-布列松的目光，他们的神秘色彩，他们明亮而沉默的灵魂让卡蒂埃-布列松为之神往，甚至不惜全身心付出，追随他们的灵魂。他并不知道，也永远无法得知这一情景将何时到来，又在哪里上演，但他并没有停止对这一时刻的幻想和思虑。这份赠予、这份特质和必然性都从这一刻开始成为现实，它们从来不为自己的存在作出解释，因为理由存在于另一方，存在于属于他们自己的画面中。每个细节，每处阴影，每个在明亮的光线中直面我们的目光在注视我们的同时也在汲取——这种汲取或许才是这份赠予的真谛。

通过观看肖像，自身与世界的关系得以确立。与许多人的想法不同，这种注视并不仅是“借来”的，而是实实在在置于肖像上的——这些目光遗留在这里，无处可退，融入了肖像的属性，更像是一个隐秘的自我，我们只有通过他人的眼睛才能认识到这种内在自我的存在。这一隐秘的自我，只有透过来到肖像面前，企图寻找这种内在的人的目光，才能被发现、创造、建立或是展现。

为什么?人像摄影作品,特别是享利・卡埃-布列松所拍摄的这些,即使在画廊昏暗的灯光下也能如此夺目,这究竟是为什么?

是那些缺席的、被观看的灵魂,是他们的静默在发光。

这些肖像无需装点,也不愿被品头论足一一这与杂志大片急子成为八卦焦点的热情大为不同

无论采用哪种模式，我们都能在作品中看到卡蒂埃一布列松的目光一一我认为他其实始终执着于ー种幻象，在他选择摄影之前，他一直沉溺在这种梦一般的景象中，最终却又用影像在我们面前还原了这个梦境。是他创造了这个幻梦，让梦中的一切得以浮现。从拍摄主体和周围的景致中，我们都能看到这个幻象，再无丝毫隐蔽。这些画面在他脑中的幻景渐渐清晰，进而用他的双手精细地还原在照片中，还原在我们的眼中

他的目光时而游移时而沉静，赋予拍摄对象以神采，甚至从另一处投来的目光也因此有了生命——这是来自其他人的目光，一种一般化的目光。你可以认为它是成千上万种目光中的一种，视线本身并没有不同，这就是我们对这个世界，对我们自己，对这个由我们构成的世界的看法

人物在观看，而观看的目光也成为被观看的主体。凝视是一种渠道，虽然受到一些限制，但仍是我们窥视人物心灵最深处、寻觅潜在特质和神秘藏身之处的好机会。一旦与观者的目光产生交集，得到真正的、长久的、无法收回的凝视，这些视线便不再虚无缥缈。

书籍介绍

“These masterful photos blend the spontaneity of a great snapshot with the highly organized composition of a classical painting.”— Publishers Weekly Henri Cartier-Bresson (1908–2004) was perhaps the finest and most influential image maker of the twentieth century, and his portraits are among his best-known work. Over a fifty-year period, he photographed some of the most eminent personalities of the era, as well as ordinary people, chosen as subjects because of their striking and unusual features.

Originally published to coincide with an exhibition at the Fondation Henri Cartier-Bresson in Paris, this book features both well-known images and previously unpublished portraits: Ezra Pound, André Breton, Martin Luther King, Samuel Beckett, Truman Capote, Susan Sontag, Carl Jung, William Faulkner, Marilyn Monroe, Henri Matisse, and many more.

Each photograph was chosen because it perfectly embodies Cartier-Bresson’s description of what he was attempting to communicate in his work: “Above all I look for an inner silence. I seek to translate the personality and not an expression.” The portraits reproduced here—discreet, without artifice—confirm once more the singular gift of Cartier-Bresson, who instinctively knew in which revealing fraction of a second to click the shutter. 97 tritone photographs