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A writer renowned for his insight into the mysteries of the body

now gives us a lambent and profoundly moving book about the

mysteries of family. At its center lies Sherwin Nuland’s

Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish

garment worker who came to America in the early years of the last

century but remained an eternal outsider. Awkward in speech and

movement, broken by the premature deaths of a wife and child, Meyer

ruled his youngest son with a regime of rage, dependency, and

helpless love that outlasted his death.

In evoking their relationship, Nuland also summons up the warmth

and claustrophobia of a vanished immigrant New York, a world that

impelled its children toward success yet made them feel like

traitors for leaving it behind. Full of feeling and unwavering

observation, Lost in America deserves a place alongside such

classics as Patrimony and Call It Sleep.

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Sherwin B. Nuland, M.D., is the author of How We Die:

Reflections on Life’s Final Chapter. He is clinical professor of

surgery at Yale, where he also teaches bioethics and medical

history. In addition to his numerous articles for medical

publications, he has written for The New Yorker, The New Republic,

the New York Times, Time, and the New York Review of Books. He

writes a regular column for The American Scholar entitled “The

Uncertain Art.” Dr. Nuland and his family live in Connecticut.

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编辑推荐

Riveting. . . . A classic second-generation immigrant memoir. .

. . A great book, full of feelings and memories that ring true.

--The New York Times Book Review

A tale with universal resonance. . . unsparing, deeply felt and

searching. --Los Angeles Times Book Review

Intensely attuned to small gestures of suffering and

consolation, Nuland studies his family . . .with pained, humane

attentiveness. A supremely gentle book. --San Francisco

Chronicle

Remarkable. . . . A tragic portrait that is both terrible and

beautiful in its clarity. --Seattle Times -- Review

书籍介绍

A writer renowned for his insight into the mysteries of the body now gives us a lambent and profoundly moving book about the mysteries of family. At its center lies Sherwin Nuland’s Rembrandtesque portrait of his father, Meyer Nudelman, a Jewish garment worker who came to America in the early years of the last century but remained an eternal outsider. Awkward in speech and movement, broken by the premature deaths of a wife and child, Meyer ruled his youngest son with a regime of rage, dependency, and helpless love that outlasted his death.

In evoking their relationship, Nuland also summons up the warmth and claustrophobia of a vanished immigrant New York, a world that impelled its children toward success yet made them feel like traitors for leaving it behind. Full of feeling and unwavering observation, Lost in America deserves a place alongside such classics as Patrimony and Call It Sleep .