Elektra in Full Score 施特劳斯《厄勒克特拉》全谱 pdf pdb 阿里云 极速 mobi caj kindle 下载

Composed in 1906-8 to a libretto by Hugo von Hofmannsthal, Elektra scandalized audiences of the day with its horrifie retelling of the Greek story and its startling level of dissonance. Today, with the shock of the new worn off and the once-fearful dissonance now widely accepted, the score can be more easily appreciated for its extravagant invention of musical ideas and virtuosie use of instrumental sonorities to characterize both persons and actions. Further, in his use of a single germinal chord which pervades the entire score, Strauss anticipated a technique used by later twentieth-century composers.

Now a landmark of modern opera, Elektra is among the best-known of Strauss's works. In this remarkably inexpensive Dover volume, it is reprinted, complete and unabridged, directly from the authoritative Furstner edition.

Unabridged Dover (1991) republication of the edition published by Adolph Fuirstner, Berlin, 1916. 384pp. 9 3/8×12 1/4 Paperbound.

Wo bleibt Elektra? (Maids)

Allein-Agamemnon! (Electra)

Elektra!-Ah, das Gesicht! (Chrysothemis, Electra)

Was willst du? (Clytemnestra, Electra, Confidante, Trainbearer)

Was bluten muss? (Electra)

Orest! Orest ist tot! (Chrysothemis, Electra, Young Servant, Old Servant)

Nun muss es hier von uns geschehn (Electra, Chry-sothemis)

Was willst du, fremder Mensch? (Electra, Orestes)

Orest! Orest! Orest! (Electra, Orestes)

Seid ihr von Sinnen--Ich habe ihm das Bell nicht geben konnen! (Guardian, Electra)

Es muss etwas geschehen sein (Chrysothemis, Maids, Female Servants)

He, Lichter!-Helft! M6rder! (Aegisthus, Electra)

Elektra, Schwester! (Chrysothemis, Men, Women)

Ob ich nicht hore? (Electra, Chrysothemis)

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：Elektra in Full Score 施特劳斯《厄勒克特拉》全谱在线阅读

在线听书地址：Elektra in Full Score 施特劳斯《厄勒克特拉》全谱在线收听

在线购买地址：Elektra in Full Score 施特劳斯《厄勒克特拉》全谱在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

One of the most often performed of Strauss’s musical works, this landmark of modern opera scandalized early 20th-century audiences with its startling dissonance and unconventional harmonics. Today, it is admired for virtuosic invention of musical ideas and the use of instrumental sonorities to characterize both persons and actions. Reprinted directly from the authoritative Furstner edition.