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内容简介:
《小公主》主要描述了小主人公英国女孩萨拉·克鲁在其父亲去世前后的生活。父亲去世前,她生活条件优越。克鲁上尉把女儿送到一所贵族学校,学校校长蝎尽全力为萨拉提供一切。她成了学校的”,从内向外都散发着公主的气息。克鲁上尉去世后,势力的校长把她赶到小阁楼,还要她干各种各样的杂活。对于生活的变故,周围同学的冷眼以及各种折磨,萨拉都以乐观的心态面对。即便衣衫槛楼,但她内心却表现得像个公主。
《小公主》本版为英文原版,同时随书附赠配套英文朗读音频免费下载(下载地址见图书封底的博客),让读者在阅读精彩故事的同时,亦能提升英文阅读水平。
书籍目录:
Sara
A French
Lesson
Ermengarde
Lottie
Becky
The Diamond
Mines
The Diamond
Mines Again
In the Attic
Melchisedec
The Indian
Gentleman
Ram Dass
The Other
Side of the Wall
One of the
Populace
What
Melchisedec Heard and Saw
The Magic
/138
The Visitor
/161
“It Is the
Child!” /176
“I Tried Not
to Be” /183
Anne
/194
作者介绍:
弗兰西斯·H·伯内特,1849年生于英国曼彻斯特市,1865年随全家移民美国田纳西州。伯内特的父亲早逝,家境贫寒,写作成了她抒发情感、逃避现实的管道,也由于她在小说创作方面有着出色的表现,18岁起她便开始在杂志上发表故事,赚取稿费贴补家用。她的本畅销书是28岁时出版的《劳瑞家的那闺女》(That Lass O’Lowries),取材于幼年她在英国煤矿的生活。可是,真正让伯内特闻名于世的是她的儿童文学作品。1886年她发表了小说《小爵士》,这部小说写的是一个美国小男孩成为英国伯爵继承人的故事。“方特罗伊”从此成为英语词汇,指“过分盛装打扮的小孩”。这本书让伯内特成为当时畅销、富有的流行作家之一。此书和1905年发表的《小公主》都曾被改编成话剧。1939年,电影《秘密花园(小孤女)》和《小公主》由当时红极一时的童星秀兰·邓波儿(Sherley
Temper)主演。
出版社信息:
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书籍摘录:
Once
on a dark winter’s day, when the yellow fog hung so thick and heavy in the
streets of London that the lamps were lighted and the shop windows blazed with
gas as they do at night, an oddlooking little girl sat in a cab with her father
and was driven rather slowly through the big thoroughfares.
She
sat with her feet tucked under her, and leaned against her father, who held her
in his arm, as she stared out of the window at the passing people with a queer
old-fashioned thoughtfulness in her big eyes.
She
was such a little girl that one did not expect to see such a look on her small
face. It would have been an old look for a child of twelve, and Sara Crewe was
only seven. The fact was, however, that she was always dreaming and thinking
odd things and could not herself remember any time when she had not been
thinking things about grown-up people and the world they belonged to. She felt
as if she had lived a long, long time.
At
this moment she was remembering the voyage she had just made from Bombay with
her father, Captain Crewe. She was thinking of the big ship, of the Lascars
passing silently to and fro on it, of the children playing about on the hot
deck, and of some young officers’ wives who used to try to make her talk to
them and laugh at the things she said.
Principally,
she was thinking of what a queer thing it was that at one time one was in India
in the blazing sun, and then in the middle of the ocean, and then driving in a
strange vehicle through strange streets where the day was as dark as the night.
She found this so puzzling that she moved closer to her father.
“Papa,”
she said in a low, mysterious little voice which was almost a whisper, “papa.”
“What
is it, darling?” Captain Crewe answered, holding her closer and looking down
into her face. “What is Sara thinking of?”
“Is
this the place?” Sara whispered, cuddling still closer to him.
“Is
it, papa?”
“Yes,
little Sara, it is. We have reached it at last.” And though she was only seven
years old, she knew that he felt sad when he said it.
It
seemed to her many years since he had begun to prepare her mind for “the
place,” as she always called it. Her mother had died when she was born, so she
had never known or missed her. Her young, handsome, rich, petting father seemed
to be the only relation she had in the world. They had always played together and
been fond of each other. She only knew he was rich because she had heard people
say so when they thought she was not listening, and she had also heard them say
that when she grew up she would be rich, too. She did not know all that being
rich meant. She had always lived in a beautiful bungalow, and had been used to
seeing many servants who made salaams to her and called her “Missee Sahib,” and
gave her her own way in everything. She had had toys and pets and an ayah who
worshipped her, and she had gradually learned that people who were rich had
these things. That, however, was all she knew about it.
During
her short life only one thing had troubled her, and that thing was “the place”
she was to be taken to some day. The climate of India was very bad for
children, and as soon as possible they were sent away from it—generally to
England and to school. She had seen other children go away, and had heard their
fathers and mothers talk about the letters they received from them. She had
known that she would be obliged to go also, and though sometimes her father’s
stories of the voyage and the new country had attracted her, she had been
troubled by the thought that he could not stay with her.
“Couldn’t
you go to that place with me, papa?” she had asked when she was five years old.
“Couldn’t you go to school, too? I would help you with your lessons.”
“But
you will not have to stay for a very long time, little Sara,” he had always
said. “You will go to a nice house where there will be a lot of little girls,
and you will play together, and I will send you plenty of books, and you will
grow so fast that it will seem scarcely a year before you are big enough and
clever enough to come back and take care of papa.”
She
had liked to think of that. To keep the house for her father; to ride with him,
and sit at the head of his table when he had dinner parties; to talk to him and
read his books—that would be what she would like most in the world, and if one
must go away to “the place” in England to attain it, she must make up her mind to
go. She did not care very much for other little girls, but if she had plenty of
books she could console herself. She liked books more than anything else, and
was, in fact, always inventing stories of beautiful things and telling them to
herself. Sometimes she had
told them to her father, and he had liked them as much as
she did.
“Well,
papa,” she said softly, “if we are here I suppose we must be resigned.”
He
laughed at her old-fashioned speech and kissed her. He was really not at all
resigned himself, though he knew he must keep that a secret. His quaint little
Sara had been a great companion to him, and he felt he should be a lonely
fellow when, on his return to India, he went into his bungalow knowing he need
not expect to see the small figure in its white frock come forward to meet him.
So he held her very closely in his arms as the cab rolled into the big, dull
square in which stood the house which was their destination.
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《小公主》自·邓波儿出演,被评为受欢迎的儿童影片之一,风靡全球。
《小公主》本版为英文原版,同时随书附赠配套英文朗读音频免费下载(下载地址见图书封底的博客),让读者在阅读精彩故事的同时,亦能提升英文阅读水平。
书摘插图
前言
I do not know whether many people realize
how much more than is ever written there really is in a story—how many parts of
it are never told—how much more really happened than there is in the book one
holds in one’s hand and pores over. Stories are something like letters. When a
letter is written, how often one remembers things omitted and says, “Ah, why
did I not tell them that?” In writing a book one relates all that one remembers
at the time, and if one told all that really happened perhaps the book would
never end. Between the lines of every story there is another story, and that is
one that is never heard and can only be guessed at by the people who are good
at guessing. The person who writes the story may never know all of it, but
sometimes he does and wishes he had the chance to begin again.
When I wrote the story of “Sara Crewe”
I guessed that a great deal more had happened at Miss Minchin’s than I had had
time to find out just then. I knew, of course, that there must have been
chapters full of things going on all[vi] the time; and when I began to make a
play out of the book and called it “A Little Princess,” I discovered three acts
full of things. What interested me most was that I found that there had been
girls at the school whose names I had not even known before. There was a little
girl whose name was Lottie, who was an amusing little person; there was a
hungry scullery-maid who was Sara’s
adoring friend; Ermengarde was
much more entertaining than
she had seemed at first; things happened in the garret
which
had
never been hinted at in the book; and a certain gentleman
whose name
was Melchisedec was an intimate friend of Sara’s
who should never have been left out of the story if he
had only
walked
into it in time. He and Becky and Lottie lived at Miss
Minchin’s, and I cannot understand why they did not
mention
themselves
to me at first. They were as real as Sara, and it was
careless of them not to come out of the story shadowland
and
say,
“Here I am—tell about me.” But they did not—which was
their fault and not mine. People who live in the story
one is
writing
ought to come forward at the beginning and tap the
writing person on the shoulder and say, “Hallo, what
about
me?”
If they don’t, no one can be blamed but themselves and
their slouching, idle ways.
After
the play of “A Little Princess” was produced in New York, and so many children
went to see it and liked Becky and Lottie and Melchisedec, my publishers
asked[vii] me if I could not write Sara’s story over again and put into it all
the things and people who had been left out before, and so I have done it; and
when I began I found there were actually pages and pages of things which had
happened that had never been put even into the play, so in this new “Little
Princess” I have put all I have been able to discover.
FRANCES
HODGSON BURNETT
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